Name and surname: Biljana Jotic WEB: biljanajotic.com Contact: biljajotic.iu@gmail.com PROFFESIONAL PRACTICE AND BIBLIOGRAPHIC SPECIFICATION Titles:

• Curator;
• Art historian;
• Stage masker-wigmaker;

Volunteer practice:

• National Museum in Belgrade, projct “Digitalization of museum collections”;
• Library at the Department of History of Art, Faculty of Philosophy in Belgrade;
• High School of Music “Vatroslav Lisinski”, subject History of Civilization and Culture;

Professional practice:

• Founder, curator and owner of the BeoArt-LiveArt gallery (2008 – 2016), which she led as artistic director for eight years. During that time, she gathered young artists and realized more than 15 solo exhibitions, initiated and realized five author and co-author projects, volunteer practice for art history students, art workshops, contemporary art auctions, humanitarian events, she was the selector of the 60th jubilee festival PALLET OF THE YOUNG, Vrbas, Serbia, 2017, a short film was made about her co-author exhibition Mediala: Once upon the time and now i sad within the Palette of Cultural Heritage, Radio Television of Serbia;
• Founder of the Beoart Contemporary Association (founded in 2016), within which she initiated and realized several projects, regional and international, which were supported by the Ministry of Culture of the Republic of Serbia, the City of Belgrade and IPA funds of the European Union. She initiated and realized over 20 solo and group regional and international exhibitions, over 20 catalogs published by the association were published. She is the author of the traveling exhibition Women about Women and the documentary series of the same name, directed by Boris Miljković, produced by the Beoart Contemporary and Vrubljov Agency (broadcast on RTS 3). Also, she is the author of research on the mapping of different identities of women in contemporary creativity, on the position of women in culture and institutional and non-institutional curatorial practice, in cooperation with the Institute for the Study of Cultural Development, then the international Kick off conference in Belgrade (2021). She is the curator of the VR exhibitions Women about women traveling and Women about women residential.
• Director of the Museum of Applied Art (2021 – 2025). She actively participated in the program work of the Museum in addition to regular management duties. She initiated and implemented the reorganized Permanent Exhibition of the MPU, the “Subject of the Month” project and the Museum’s participation in the international book fair in Novi Sad (2023). Then, over 15 cross-sectoral, inter-museum and international collaborations and more international exhibitions and events at MAA. Participated in five national projects at international exhibitions in the functions of commissioner, curator and jury president: Venice Architecture Biennale (2023, 2025), Malta Art Biennale (2024), London Design Biennale (2023), Praque Quadrennial of Scenic Design and scenic space (2023) – two awards, Triennale di Milano (2022);
• Since 2025, she has been working as a senior adviser in the Office of the Chief Urban Planner of the City of Belgrade, within which she is one of the signatories of the Sava Sculpture Park Initiative project;

PROJECTS: THE RISE OF WOMEN IN CULTURE IN THE WESTERN BALKANS https://www.riseofwomen.net/ Initiator and artistic director of an international project (04.01.2021 – 17.03.2023) with activities that are realized in different territories of the region and Europe. The project was co-financed by the IPA funds of the European Union (General activities: Traveling exhibition Women about women – Serbia, Montenegro, Croatia, Slovenia, North Macedonia, in the spaces of physical and virtual reality, for which the selectors selected in advance artists with recognizable and different identities of women in visual art – the author of the concept); Residency program in Zadar, which gathered new, youthful energy, through an open call, and the works created during it were the Residential Exhibition Women about Women – Brussels, the European Parliament building. VR exhibitions that include new technologies, new forms of curatorial practices and global visibility – the author concept and curator. Research which maps different identities of women in contemporary visual art and includes institutional and non-institutional curatorial practices – author of the concept. The documentary series documents the thought and creative processes of the female artist and curator – the author of the concept. NFC is a network of female curators organized thematically around the concept of women in art. In addition to the above, an integral part of the project is the Kick of Conference, numerous useful lectures and workshops, publication i Web site. The project was chosen as one of 13 projects within the Western Balkans out of 348 submitted. CULTURAL HERITAGE AND MODERN CREATION Initiator and author of projects in which the concept of combining contemporary visual art and spaces that belong to the tradition and cultural heritage of Serbia prevails. The curatorial concept is characterized by notions of continuity (revitalization of cultural heritage spaces through contemporary visual creativity), then atypical exhibition spaces and heterogeneity of visual expressions (as chronicles of testimony to the variety of experiences of contemporary fluid reality). So far, 4 exhibitions have been held: “ART ON PAPER”, National Library of Serbia, Belgrade, 05.05. – 07.05.2019. The project highlights the concept of gathering domestic contemporary visual artists around paper as a medium. It is characterized by a heterogeneous character and a combination of visual form and linguistic sign. This is followed by an exhibition of visual works on paper in a space that inherits the word on paper, a medium that is the herald of a new age and the faster spread of information that has led to modern forms of communication. Thematic vagueness is a conscious comparison with thematic vagueness of the words inherited by this institution, without which we would not have the possibility of wide knowledge today. The project is supported by funds from the Ministry of Culture and Information and the Secretariat of the City of Belgrade. “20/20“, a space in the reconstruction of the Balkan cinema, in cooperation with the Sasa Marchet Foundation and the NuraArt agency, 2018 – a group exhibition that combines real and virtual space. Author of the concept, text and setting. The curatorial specificity is reflected in the selection and association of 10 artists who in their work problematize the issue of space in different ways – a part of the exhibition in physical reality and an exhibition in the virtual reality space of 10 artists whose works succumbed to new technologies of virtualization creating a new space. This is followed by research with atypical spaces – the revitalization of the cult space of the Balkan cinema with contemporary visual art and new curatorial practices of dual reality. By combining the traditional and the contemporary, time merges, real and virtual space merges. By combining real and virtual space, the way of interaction between the observer and his experiences is also problematized. “IDENTIFICATIONS“, Jokanović House, National Museum of Užice, 2018 – the curator’s concept combines two approaches to the same topic and technique, a drawing on paper: identification through the external projection of the city and geometrized forms of closed forms (Marija Milinković) and the internal projection of the contemporary phenomenon of the “selfie” which opposes the traditional way of portraiture and the problematization of narcissism and the existence of another person and interaction (Marija Tošković). The plot of contemporary thematic issues is set in an exhibition setting in an atypical space characterized by tradition, the Jokanivić House, as a separate part of the National Museum in Užice. “THROUGH THE WATER“, art station Eđšeg, Novi Sad, 2017 – the curatorial concept of site-specific character is based on the transposition of the content that the artist problematizes in the painting directly into the space. It explores the way in which the installation, which displaced the space from the canvas into the real space and real time of the happening “now and here”, includes the viewer as an integral part of the event. This exploratory, experimental curatorial concept examines the issues between the artist’s work and the effects of emanation. BOA (Belgrade Open Art) https://www.danas.rs/kultura/belgrade-open-art/ One-day interactive manifestation with the concept of WALK/TALK/AUCTION, Cultural Center of Belgrade, Pop Up space (June 1, 2014 and 2015) – co-author (Bojana Ibrajter GAzibara, Tamara Ognjević, Ksenija Kastratović and Biljana Jotić). Immersed in social and cultural events, we four colleagues recognized three current problems in the closedness of the museum, lack of communication and the absence of market bases for contemporary creativity. We offered the answer through the concept of Open Art and the strategy of a guerilla one-day self-financed manifestation during which 30 artists of the younger generation were presented. From the street gallery, joint walks with works of art through the central streets and around the National Museum, through the Pop Up exhibition in the area of ​​the Cultural Center of Belgrade and Art Encounters to the auction; NOA FEST https://www.kcns.org.rs/vest/poceo-sesti-noafest-2019/?pismo=latinica#! Co-author of the art festival in Novi Sad (2015, 2016, 2017, 2018, 2019) with the concept of dynamics in program solutions that are implemented in several locations (Art Gallery and Youth Tribune, Cultural Center Novi Sad; Eđšeg Castle; alternative Cultural Center Lab). Every year, NOA FEST gathered over 20 young artists for the purpose of networking and communication. It is focused on the younger generation and the home field. The strategy of realizing the festival is reflected in the variety of program parts in several locations. From exhibitions, through artistic gatherings, workshops, panels, humanitarian actions, art responds to social needs as an integral part of it; TRIENNALE OF DESIGN AND ARCHITECTURE IN MILAN 2022. https://triennale.org/en/events/serbia-infinity-of-structure Commissioner of performances and curator (together with Nataša Radojević) of the national art project Infinity of structure with which the Republic of Serbia presented itself at the 23rd International Exhibition of the Triennale in Milan (2022). The organizer of the performance is the Museum of Applied Art on behalf of the Ministry of Culture and Information of the Republic of Serbia; DESIGN BIENNALE IN LONDON 2023. https://londondesignbiennale.com/pavilions/2023/serbia Commissioner of performances and curator of the main project, artistic experiment 134/Sacred Geometry, authored by dr. Dušan Jovović, with which the Republic of Serbia presented itself at the 4th International Design Biennial Exhibition in London (Somerset House, London, 2023). The organizer of the performance is the Museum of Applied Art on behalf of the Ministry of Culture of the Republic of Serbia; VENICE BIENNA ARCHITECTURE 2023 and 2025 https://www.labiennale.org/en/architecture/2023/serbia https://myartguides.com/national-participations/venice/serbia-2025/ President of the Council/Jury for the performance of the Republic of Serbia and the project “In Reflections 6°27’48.81″N 3°14’49.20″E”, which presented RS at the 18th international exhibition of the Biennale of Architecture in Venice in 2023. The organizer of the performance is the Museum of Applied Art on behalf of the Ministry of Culture of the Republic of Serbia; The commissioner is performing (note: from October 4, 2024 to April 7, 2025) of the Republic of Serbia at the 19th International Exhibition of Architecture in Venice, the art project “Unraveling: New Spaces“. The organizer of the performance is the Museum of Applied Art on behalf of the Ministry of Culture of the Republic of Serbia; PRAGUE QUADRIENNAL OF STAGE DESIGN 2023. https://mpu.rs/en/events/two-prizes-of-the-prague-quadrennial-2023-for-the-national-and-for-the-student-section/ Co-curator of the performance and co-curator (with Prof. Tatjana Dadić Dinulović) of the national art project that the Republic of Serbia presented at the 15th International Exhibition of Stage Design and Stage Space. The implementers of the project were the Museum of Applied Art and Scen – Center for Stage Design, Architecture and Technology of the Faculty of Technical Sciences of the University of Novi Sad, under the auspices of the Ministry of Culture of the Republic of Serbia; Note: two awards were won for . MALTA ART BIENNALE 2024. https://maltabiennale.art/mb-24/ Performance commissioner, author and curator of the national art project “Fine art and Heritage” which the Republic of Serbia presented at the 1st International Art Biennale Exhibition in Malta. Artist/s: Ivana Živić; Prof. Đorđe Stanojević and Miodrag Rogan. The organizer of the performance was the Museum of Applied Art on behalf of the Ministry of Culture of the Republic of Serbia Selection practice and participation in the Jury and Council

• VENNICE ARCHITECTURE BIENNAL 2023 (President of the Council/ Jury) and 2025
• MALTA ART BIENNIAL 2024;
• LONDON DESIGN BIENNALE 2023;
• PRAGUE QUADRIENNAL OF STAGE DESIGN AND STAGE SPACE 2023, won two awards;
• TRIENNALE DI MILLAN, President of the Council/Jury;
• 44th, 45th, 46st and 47th SALON OF ARCHITECTURE, Museum of applied arts, Belgrade
• THE RISE OF WOMEN IN CULTURE IN THE WB, selector for Serbia traveling exhibition, VR exhibition, documentary series, residential exhibition in Brussels and research;
• SCULPTOR OF SERBIA 2020, traditional exhibition of the sculpture section of ULUS;
• TRADITIONAL DRAWING AWARD EXHIBITION, jury member 2019;
• PALET OF THE YOUNG, selector of the jubilee 60th festival, 2017;
• BIENALE OF AQUARELL, member of the award jury 2018;
• NOA FEST 2015, 2016, 2017, 2018, 2019;
• BOA 2014,2015;

Published author’s texts Editor: Professional and scientific journals: ZBORNIK MPU 20/2024, YU ISSN 0522-8328 (print edition) and ISSN 2466-460X (Online edition), Museum of Applied Arts, Belgrade 2024; https://mpu.rs/zbornik/pdf/stampana_izdanja/zbornik-20-2024-mpu.pdf ZBORNIK MPU 19/2023, YU ISSN 0522-8328 (print edition) and ISSN 2466-460X (Online), Museum of Applied Art, Belgrade 2023; https://mpu.rs/zbornik/pdf/stampana_izdanja/zbornik-19-2023-mpu.pdf ZORNIK MPU 18/2022, ISSN 0522-8328 (Print edition) and ISSN 2466-460X (Online), Museum of Applied Arts, Belgrade, 2022; https://mpu.rs/zbornik/pdf/stampana_izdanja/zbornik-18-2022-mpu.pdf; Catalogs: FLOW, solo exhibition of Natalija Miladinović, Beoart contemporary, Beogard 2026; COLLECTION MANPOWER 2020, Beoart contemporary, ISBN 978-86-921045-5-8, COBISS 186484489, Belgrade 2026; IMAGINE DIGNITY, ISBN: 978-86-7415-269-0, COBISS-ID: 169295625, Museum of Applied Arts, Beogard, 2025 and New Design University; KEPT ESCAPE OF SURREALITY: Photography in Surrealism, Museum of Applied Art, ISBN 978-86-7415-266-9, Belgrade 2025; FINE ARTS AND HERITAGE: visual dialogue and spatial communications, Museum of Applied Arts, ISBN 978-86-7415-261-4, Beogard 2024; DRAGANA DRAZOVIĆ ILIC: THE SILENCE OF CLOSENESS, Museum of Applied Arts, ISBN 978-86-7415-265-2, Belgrade 2024; 59th CHILDREN’S OCTOBER SALON: on the other side of reality, Museum of Applied Art, ISBN 978-86-7415-263-8, Beogard 2024; CONTEMPORARY CERAMICS FROM SERBIA: international ceramics biennial – the art of fire, Bonifacio 2024 (deplian); IN DIALOGUE: artistic ceramics from the collections of the Museum of Applied Art in Belgrade and the National Museum in Arandjelovac, Museum of Applied Art, ISBN 978-86-7415-264-5, Beogard 2024 URBAN FAIRY TALES OF CULT ARCHITECT ALEKSANDR MIJATOVIĆ, Museum of Applied Arts, ISBN 978-86-7415-260-7, Belgrade 2024; UNDER THE ASPHALT COBBLES, UNDER THE COBBLES BEACH, solo exhibition of Boris Burić, Museum of Applied Art, ISBN 978-86-7415-262-1, Belgrade 2024; 46st ​​SALON ARCHITECTURE – we have our own policy; Museum of Applied Art, SBN 978-867415-259-1, Beogard 2024; ON TENDERNESS, RESPONSIBILITY AND DREAMS: the performance of the Republic of Serbia at the Practical Quadrennial of Stage Design and Stage Space 2023, Museum of Applied Art and Scen, ISBN 978-86-6022-600-8 and ISBN 978-86-6022-599-5 [online], Belgrade and Novi Sad 2023; THE RISE OF WOMEN IN THE CULTURE IN THE WESTERN BALKANS, Fenomena, ISBN 978-86-913455-5-6, COBBISS 111692553, Beogard, 2023; https://www.riseofwomen.net/uploaded/publication/the-rise-of-women-in-culture-in-wb-compressed.pdf THE MARK OF THE TIMES: graphic communications of Andreja Milenković, Museum of Applied Art, ISBN 978-867415-255-3, Belgrade 2023; 58^th CHILDREN’S OCTOBER SALON: fear and a brave heart; Museum of Applied Arts, ISBN 978-86-7415-254-6, Beogard 2023; VALENTINA SAVIĆ: household lesson: I’ll show you mine if you show me yours, Museum of Applied Art, ISBN 978-86-7415-253-9, Beogard 2023; 134/ SACRED GEOMETRY – appearance of the Republic of Serbia at the 3rd International Exhibition of Architecture and Design; LONDON DESIGN BIENNALE, Somerset House, London, Museum of Applied Art, ISBN 978-86-7415-252-2, Beaugard 2023; DALIBORKA ĐURIĆ: AVATARIZATION, Museum of Applied Arts, ISBN 978-86-7415-251-5, Belgrade 2023; IN REFLECTIONS; 6°27”48.81”N – 3°14”49.20”E – appearance of the Republic of Serbia at the 18th International Architecture Exhibition, VENICE ARCHITECTURE BIENNAL, Museum of Applied Arts, ISBN 978-86-7415-250-8, Belgrade 2023; KAMILA ILA KOFLER: a look into the world of animals, exhibition of photographs from the private collection of Pryor Dož, Museum of Applied Arts, ISBN: 978-86-7415-249-2, Belgrade, 2023; 45th SALON OF ARCHITECTURE – salon of dialogue, Museum of Applied Arts, Belgrade 2023, ISBN: 978-86-7415-248-5, https://mpu.rs/wp-content/uploads/2023/05/45.-Salon-arhitekture-45th-Salon-of-Architecture.pdf BORIS PODREKA: ARCHITECTURE, Museum of Applied Art, ISBN 978-86-7415-247-8, Beogard, 2022; ON THE GLASS ROAD: Glass Art and Representation in Serbia 1850-1950, Museum of Applied Arts ISBN 978-86-7415-246-1, Beogard 2022; 57th CHILDREN’S OCTOBER SALON: Trips, oh those trips…, Museum of Applied Arts, ISBN 978-86-7415-244-7, Belgrade 2022; ALEKSANDAR VAC: Layers, Museum of Applied Art, ISBN 978-86-7415-245-4, Belgrade 2022; FASHION WORLD OF THE KALEF FAMILY, Museum of Applied Art, ISBN 978-86-7415-243-0, Belgrade 2022; GRADIMIR SMUĐA: THE THREAD OF ART, Museum of Applied Art, ISBN 978-86-7415-242-3, Belgrade 2022; FASHION DRAWINGS BY ALEKSANDR JOKSIMOVIC, Museum of Applied Arts, Belgrade ISBN 978-86-7415-241-6, 2022; 44th SALON OF ARCHITECTURE – Shift, Museum of Applied Art, ISBN: 978-86-7415-240-9, Beogard 2022 https://mpu.rs/wp-content/uploads/2023/11/44.-Salon-arhitekture-44th-Salon-of-Architecture.pdf LUKA TILLINGER: Alphabetical order: an exhibition of book illustrations for children, Museum of Applied Arts, ISBN 978-86-7415-239-3, Beogard 2022; NOA FEST 2017, ISBN 978-86-7931-623-3, COBBISS 318944007, Cultural Center Novi Sad, 2017; CONTEMPORARY CONNOTATIONS, Stara Kapetania Art Gallery, Beoart contemporary, 2017; THE CONCEPT OF CONTINUITY in contemporary Serbian creativity, Cultural Center Novi Sad, ISBN 978-86-7931-518-2, COBBISS 305474055, Novi Sad 2016; BOA: Belgarde Open Art 2014, Belgrade Cultural Center, Beoart contemporary, Belgrade 2014; Articles: Professional and scientific journals: ZBORNIK MPU 20/2024, YU ISSN 0522-8328 (print edition) and ISSN 2466-460X (Online edition), Museum of Applied Arts, Belgrade 2024;

• Strategy of the profession in public communication, author’s text;
• Awards and recognitions of MAA 2024;
• Program units 2024, co-authored texts,

ZBORNIK MPU 19/2023, YU ISSN 0522-8328 (print edition) and ISSN 2466-460X (Online), Museum of Applied Art, Belgrade 2023;

• Awards and recognitions of the Museum of Applied Art in 2023;
• Acquisitions of MAA 2023;
• Exhibitions 2023;
• Editions 2023;
• Subject of the month 2023, co-authored text

ART LIFE – chronicle of visual and spatial communications no. 157/158, YU ISSN 0353-3204, Belgrade 2020 and 155/156, YU ISSN 0353-3204, Belgrade, 2019.

• Chronicle of Reflections of our time: Acquisitions of the Museum of Contemporary Art 1993-2019; author’s text, Belgrade, 2020;
• Sculptors of Serbia 2020 annual exhibition of the sculpture section of Association of visual of Serbia, , Cvijeta Zuzorić pavilion, author’s text, Beogard, 2020;
• Visions of reality by Mirjana Đošić, author’s text, Kruševac, 020;
• Notes on paper-drawings, studies and sketches by Igor Vasiljev, author’s text, Novi Sad, 2019.
• Fragmentations by Mina Radović, author’s text, Novi Sad, 2019;
• Figurative-portrait entity of Aleksandar Stojanović, author’s text, Inđija, 2019;
• Bestiary – Path to Freedom by Marija Tošković, essay, Beogard, 2019;

Catalogs: Domestic, regional and international:

• Flow: the Drina river in the painting of Natalija Miladinović, author’s text, exhibition of the artist Natalija Miladinović, Štab gallery, Belgrade;
• MANPOWER COLLECTION: reflections of boundlessness, author’s text, Beoart contemporary, ISBN 978-86-921045-5-8, COBISS 186484489, Belgrade 2026;
• Parallels, author’s text, 18th INTERNATIONAL ARCHITECTURE BIENNA EXHIBITION IN VENICE, pavilion of the Republic of Serbia, project “Unfolding: New Spaces”, ISBN: 978-86-7415-270-6, Museum of Applied Arts, Belgrade 2025 (international project);
• IMAGINE DIGNITY: meetings and gatherings, author’s text, Museum of Applied Art and New Design University; ISBN: 978-86-7415-269-0, COBISS-ID: 169295625, Belgrade 2025 (international project);
• About the salon, the tradition of the salon and the special focus, context and program – text by members of the Council (MSc. Biljana Jotić, Dr. Slobodan Jović; Prof. Vesna Cagić Milošević, Dr. Žaklina Gligorijević and Arch. Marko Korošec, 47th SALON ARCHITECTURE, Museum of Applied Art, ISBN: 978-86-7415-271-3, Belgrade 2025;
• Surrealism in the world of “isms”, introductory text for the exhibition “CONTINUED ESCAPE FROM SURREALISM: PHOTOGRAPHY IN SURREALISM”, Museum of Applied Art, ISBN 978-86-7415-266-9, Belgrade 2025;
• Hybrid forms, author’s text, Plus 359 gallery, publisher: Charta LTD, ISBN978-619-92149-1-6,2025, Sofia, Bulgaria (international edition)
• Infinity of structure, author’s text, MARKO LAĐUŠIĆ’S MONOGRAPH, Zurich 2025 (international project);
• Space(s), author’s text for solo exhibition Smaragd by Natalija Miladinović, cultural center Gornji Milanovac;
• Introduction; Salon tradition and special focus, salon program and what next?, – text of a group of authors, members of the Council (MSc Biljana Jotić, Dr. Slobodan Jović, Prof. Vesna Cagić Milošević, Dr. Žaklina Gligorijević, Marko Korošec;), 46th SALON ARCHITECTURE, ISBN: 978-86-7415-259-1, Museum of Applied Arts, Belgrade 2024;
• Traditional and contemporary: skill and design, retrospective exhibition by Miodrag Stefanović “Retrospective/introspective”, Museum of Applied Art, Belgrade 2024;
• Aleksandar Mijatović, professor of theory and practice, author’s text, “URBAN FAIRY TALES OF THE CULT ARCHITECT ALEXANDER MIJATOVICA”, ISBN : 978-86-7415-260-7, Museum of Applied Arts, Belgrade 2024;
• Fine arts and heritage: visual dialogue and spatial communications, author’s text, MALTA ART BIENALE, ISBN : 978-86-7415-261-4, Museum of Applied Arts, Belgrade 2024 (international project);
• Introduction, 17th INTERNATIONAL ARCHITECTURE BIENNALE EXHIBITION IN VENICE, Republic of Serbia pavilion, project “In reflections 6°27’48.81″N 3°14’49.20″E”, ISBN: 978-86-7415-250-8, Museum of Applied Arts, Belgrade 2023 (international project);
• About the artistic experiment, “134/ SACRED GEOMETRY“, text by two authors, ISBN 978-86-7415-252-2, Museum of Applied Arts, Belgrade 2023 (international project);
• “134/ saint geometry, national performance, “GLOBAL GAME / REMAPING COLLABORATIONS”, 3rd INTERNATIONAL EXHIBITION OF THE LONDON BIENNALE OF DESIGN, published by London design Biennale Ltd June 2023 (international edition)
• On Tenderness, co-authored text (Biljana Jotić and Tatjana Dadić Dinulović), 15th INTERNATIONAL On Tenderness, Responsibility and New EXHIBITION OF THE PRAGUE QUADRIENNAL OF STAGE DESIGN AND STAGE SPACE, national performance of the Republic of Serbia, ISBN 978-86.6022-600-8, SCEN, Novi Sad 2023; Note: Serbia won two awards, the award for the most imaginative concept of the student exhibition Dreaming and for activating the community – for the national the exhibition “Moonshine piano” (international project);
• Introduction; About the Council, Program, text of the group of authors – members of the Council (Biljana Jotić, Relja Petrović, Milka Gnjato, Predrag Milutinović, Danilo Dangubić), 45th SALON ARCHITECTURE, Museum of Applied Art, ISBN: 978-86-7415-248-5, Belgrade, 2023;
• Reminder of the special role of postage stamps, introductory text “STAMP OF THE TIMES: GRAPHIC COMMUNICATIONS OF ANDREJ MILENKOVIĆ”, ISBN: 978-86-7415-255-3, Museum of Applied Arts, Belgrade 2023;
• About Boris Podreka and the exhibition “Architecture, introductory text, BORIS PODREKA “ARCHITECTURE”, Museum of Applied Art, ISBN 978-86-7415-247-8, Belgrade 2023 (international project);
• About the project and the problems it deals with; Project activities; About Exhibitions; Documentary series, author’s texts and Results of the research and recommendations, “THE RISE OF WOMEN IN THE CULTURE IN THE WB”, editor, Fenomena, ISBN 978-86-913455-5-6, Belgrade 2023 (international project);
• About art project Infinity of structure, national art project, 23rd International exhibition “UNKNOWN UNKNOWNS AN INTRODUCTION TO MYSTERIES”, Triennale di Milano, Milan 2022 (international edition);
• Introduction to the shift, About the Council, text by a group of authors – members of the Council (Dragoljub Bakić, Dubravka Đukanović, Biljana Jotić, Milena Zindović, Maja Lalić, Nataša Đurić), 44th SALON ARCHITECTURE, ISBN: 978-86-7415-240-9, Museum of Applied Arts, Belgrade 2022;
• Museum of Applied Arts and celebration of the International Year of Glass, introductory text), “ON THE GLASS ROAD: GLASS ART AND REPRESENTATION OF SERBIA 1850-1950”, ISBN: 978-86-7415-246-1, Museum of Applied Arts, Belgrade 2022 (international project);
• Art of living, author’s text, solo exhibition of two artists (Anđela Mujčić and Minja Polak), ISBN 978-86-80653-20-4, Gallery of Contemporary Art, National Museum of Smederevska Palanka, 2022;
• Feme i centenariansi, author’s text, 13th comic album “Vekovnici”, Leskovac 2022;
• Sensibility, author’s text, solo exhibition of paintings by Natalija Miladinović, Council of Europe Building, Strasbourg, France, 2022 (international project);
• Second meeting of graphic artists “Teodor Ljubavić, author’s text, Novo Goražde, Republika Srpska, 2021 (regional project);
• Women about women, author text, regional traveling exhibition in Belgrade, Podgorica, Samobor, Ajdovščina and Skopje, residential exhibitions in Brussels and VR exhibition, 2021 – 2022 (regional project);
• Sculptors of Serbia 2020, author’s text, annual group exhibition of the members of the ULUS sculpture section, Cvijeta Zuzorić Pavilion, Belgrade, ULUS, 2020;
• Seasonarium, author’s text, solo exhibition by Vesna Opavski, Cultural Center Trebinje, Republic of Srpska, 2020 (regional project);
• Visions of reality, author’s text, solo exhibition by Mirjana Đošić, KC Kruševac, 2020;
• Reflections of planes, author’s text, traveling solo exhibition by Mione Marta Marković, Belgrade, 2020;
• Intro floral, author’s text, solo exhibition by Dominika Morariu, Art gallery KC Novi Sad, 2020;
• Traps of perception, author’s text, solo exhibition by Ivan Milenković, KC Leskovac, 2020;
• Notes on paper – drawings and sketches by Igor Vasiljev, author’s text, Likovna galerija, ISBN 978-86-7931-762-9, Serbia, Cultural Center Novi Sad, 2019;
• Fragmentations, author’s text, solo exhibition by Mina Radović, Novi Sad, Cultural Center Novi Sad, 2019;
• Portraits, figurative-portrait entity, author’s text, solo exhibition of Aleksandar Stanojević, Inđija Cultural Center, 2019;
• Moved spaces, author’s text, first solo exhibition of architect Vanja Vujin Ivošević, Vračar Municipality Gallery, Belgrade, 2019;
• Rhythm of the city, author’s text, solo exhibition by Marija Milinković, SULUJ, Belgrade, 2018;
• Figure through thought, author’s text, solo exhibition by Jovana Jarebica, Natalija Miladinović and Una Nikolić, Kralja Petra House, Belgrade, 2018;
• Through water, author’s text, independent Site specific exhibition of Ivana Živić Jerković, Ešćeg Castle, ISBN 978-86-7931-574-8, Cultural Center Novi Sad, 2018;
• Spiritual, author’s text, solo exhibition of Natalija Miladinović and Zdravko Janković, gallery Atrium of the city library, Belgrade, 2018;
• Petrified dreams, author’s text, solo exhibition by Đerđi Ačaja, Lucida gallery, Belgrade and Cultural Center Šabac, 2018;
• 20/20, author’s text , group exhibition, space in the reconstruction of the Balkan cinema, Belgrade, 2018;
• The fall of man, author’s text, solo exhibition by Kristina Pirković, youth forum, ISBN 978-86-7931-683-6, Cultural Center Novi Sad, 2018;
• Identifications, author’s text and author’s exhibition (Marija Tošković, Marija Milinković), Jokanović House Gallery, ISBN 978-86-808880-414-4, National Museum of Užice, 2018;
• The Great War, author’s text, solo exhibition by Nemanja Okiljević, King Peter’s House and Kombank Hall (announcement of the film Peter the Great), Belgrade, 2018;
• The need to remind, author’s text, solo exhibition of Koštana Đurić, Suluj gallery, Belgrade, 2017;
• Palette of young people, author’s text, group exhibition of the jubilee 60th festival, Cultural Center Vrbas, 2017;
• Art on paper, author’s text and author’s exhibition, National Library of Serbia and Gallery of the Faculty of Fine Arts, ISBN 978-86-83113-23-1, Faculty of Arts in Priština-Zvečan, Kosovska Mitrovica, 2017;
• Mediala: once upon the time and now, author’s text, co-author group exhibition, RTS gallery, Belgrade, 2017;
• Figures on paper, author’s text and author’s group exhibition, ISBN 978-86-84859-95-4, National Museum of Užice, 2017;
• Tableu vivant, author’s text and author’s group exhibition, UK Parobrod, Beogad, 2017;
• All seas are mine, author’s text, independent exhibition Gordana Tomić, Gallery of the Maritime Museum, Porto Montenegro, Montenegro, 2017 (regional project);
• Perpentum mobile, author’s text, solo exhibition of Jelena Vićentić, Božidarac gallery, Belgrade, 2017;
• Theory of unity, author’s text, independent ambient exhibition of Vojislav Radovanović, Salon 77, Niš, 2017;
• Retrospective exhibition, author’s text, solo exhibition of Canadian artist Dragica Gaćanski Didi, art salon, Cultural Center Novi Sad, 2017;
• Story of origin, solo exhibition of Vojislav Radovanović, “Jovan Popović” gallery, Opovo, 2016;
• Metamorphoses, solo exhibition of Vojislav Radovanović, art salon of the House of Culture, Čačak, 2016;
• Project: Garden of Eden, solo exhibition of Vojislav Radovanović, art salon, Cultural Center Novi Sad, ISBN 978-86-7931-371-3, Novi Sad, 2016;
• Purgatory, solo exhibition by Filip Baralić, National Museum of Užice, 2015;
• Eye-contacts, solo exhibition by Branka Đurašković, SKC Novi Belgrade, 2015;
• In memory of Dejan Prendić Prenda, memorial exhibition, Zaječar National Museum, 2014.

Tribunes/panels: MEETING THE NATIONAL ARCHITECTURAL FORUM 0.2 PANEL TOPIC: AWARENESS OF ARCHITECTURE AND THE BUILT ENVIRONMENT: FROM EDUCATION TO PROMOTION, panelist, Museum of Applied Arts, Belgrade, 2024; MEETING, Council of the 44th and 45th Salon of Architecture, moderator, Museum of Applied Art, 2023; TRANSFORMATIONS – design today, institutional role, moderator, Forum of Slavic Cultures, Museum of Applied Arts, 2023; IDENTITIES OF WOMEN IN CONTEMPORARY VISUAL ART, participants: Dubravka Đurić, Aleksandra Lazar, Iana Stantieri, Ivana Ivković. Moderator with Maša Elezović, NGVU gallery and online, Belgrade 2021; HAVE MERCY, GOD, moderator, Art Café with Gordana Belić as part of her doctoral exhibition, Menjačnica gallery, Goethe Institute, Belgrade, June 2020; SCULPTURE TODAY, Eđšeg Cultural Station, 2019; DADO and LjUBA – Crossroads, moderator, Art salon KC Novi sad, 2018; YOUNG GRAPHIC, moderator, Eđšeg Cultural Station, Novi Sad, 2018; MOSAIC TODAY, Youth Tribune, KC Novi Sad, 2017; LEGACY OF THE MEDIALA SPIRIT, moderator, RTS gallery, 2017; CONTEMPORARY NARRATIVES ON PAPER, Eđšeg Cultural Station, Novi Sad, 2016; AUTISM AND ART, Youth Tribune, KC Novi Sad, 2016; CULTURAL HERITAGE, YOUTH AND THE MARKET, Art salon KC Novi Sad, 2015. Professional guidance

• TRANSFORMATIONS, Museum of Applied Arts, Belgrade, 2024;
• BORIS PODRECCA, Archiculture, Museum of Applied Arts, Belgrade, 2022;
• LjUBA, a retrospective exhibition of Ljuba Popović in the SANU gallery, 2021;
• YOUNG SCULPTURE, art station Ešđeg, Novi Sad, 2019;
• BETWEEN REAL AND VIRTUAL REALITY, space in the reconstruction of the Balkan cinema, 2019;
• SERBIAN PAINTING OF THE 20TH CENTURY, 1900-1950, Military home gallery, Belgrade, 2018;
• YOUNG GRAPHIC, Art Salon, KC Novi Sad, 2018;
• MEDIALA: once upon the time and now, RTS gallery, Beogard, 2017;
• MOSAIC TODAY, Youth Tribune, KC Novi Sad, 2017;
• CONTEMPORARY NARRATIVES ON PAPER, art station Ešđeg, Novi Sad, 2016;

Exhibition openings: MALTA ART BIENNALE, Malta, 2024; ITALIAN DESIGN DAY, MAA, Beogard, 2025; IMAGINE DIGNITY, MAA, Belgrade, 2025; 46th SALON ARCHITECTURE, MAA, Belgrade, 2024; VENNICE BIENNALE OF ARCHITECTURE, Giardini, Venice, Italy, 2023 LONDON DESIGN BIENNALE, Somerset House, London, 2023; PRAGUE QUADRIENNAL OF STAGE DESIGN AND STAGE SPACE, Prague Market, Prague, 2023; 45th SALON ARCHITECTURE/SALON of DIALOQUE, MAA, 2023; WOMAN ABOUT WOMAN, European Parliament Building, Brussels, Belgium, 2023; BORIS PODRECCA, ARCHICULTURE, MAA, Belgrade, 2023; ON THE GLASS ROAD, MAA, Belgrade, 2022; Bohuš-Lugoši FOUNDATION, Budapest, MAA, Belgrade, 2022; SENSES, solo exhibition by Natalija Miladinović, Council of Europe Building, Strasbourg, France, 2022; THREAD OF ART, Gradimir Smuđa, MAA, Belgrade, 2022; TRIENNALE DI MILAN, Milan, Italy, 2022; 44th SALON Of ARCHITECTURE, MAA, Belgrade, 2022; BUILT ENVIRONMENT, ALTERNATIVE GUIDE FOR JAPAN, MAA in cooperation with the Embassy of Japan, Belgrade, 2022 ITALIAN DESIGN DAY, in cooperation with the Embassy of Italy in Belgrade, MPU, 2022 MAŠIĆ: retrospective exhibition of visual communications by Slobodan Mašić, Cultural Center in Paris, France 2021; GHETTO: Everything, everything but craft, MPU, Belgrade, 2021; FASCINATE ME, exhibition of handmade hats and fascinator Dragan Smiljanić, MPU, 2021; LEATHER AND STONE, Mina Radović, solo exhibition, City Gallery, Kotor, Montenegro, 2021; SEASONARY, Vesna Opavski, KC Trebinje, October 2020. RECORDS ON PAPER, exhibition of studio drawings and sketches by Igor Vasiljev, Art Salon, Cultural center Novi Sad, 2017; STRENGTH OF THE LINE, solo exhibition of Ljiljana Stojanović, Gallery 73, Belgrade, 2017; SPIRITUAL, solo exhibition of Natalija Miladinović and Zdravko Janković, Belgrade City Library Gallery, 2017; THE FALL OF MAN, solo exhibition by Kristina Pirković, Art for All gallery, Belgrade, 2017; FIGURE THROUGH THOUGHT, Jovana Jarebica, Natalija Miladinović, Una Nikolić, King Petar House, Belgrade, 2017; STONE SLEEPERS, solo exhibition by Đerđi Ačaji, Cultural center Šabac, 2017; THE GREAT WAR, solo exhibition by Nemanja Okiljević, King Petar House, Belgrade; 2016; IN THE RHYTHM OF THE CITY, solo exhibition of drawings and installations by Marija Milinković, SULUJ gallery, Belgrade, 2016; THE NEED FOR REMINDER, solo exhibition of paintings by Koštana Đurić, SULUJ gallery, Belgrade; 2016; In media: Documentary series:

• “Woman about woman – female identities in contemporary visual art“, directed by Boris Miljković, Radio television of Serbia, RTS 3;
• Media: Nekad i Sad, nationaln television Radio television of Serbia , RTS 3

Shows:

• Architecture today, nationaln television RTS 2
• Red – handed Criticism, 19th Biennale of Art in Pancevo, SeeCult, 2020

• Mira Adanja Polak Not everything is always exposed, Museum of applied arts
• XXIX Art ćakula
  • MALTA ART BIENNALE

Interviews: (printed editions of magazines, daily or weekly newspapers:

• PRESERVING CULTURAL HERITAGE THROUGH APPLIED ARTS, Diplomacy&Commerce, Belgrade, 2023
• ABOUT THE RETROSPECTIVE EXHIBITION IN LJUBA at Serbian Academy of Science and Art (SANU), conversation with the author Slavica Batos, Pečat (interview on 12 pages in two parts, 2021);
• OLD VALUES OF NEW VISUALITY, interview with journalist Sonja Ćirić, Vreme, 2018;
• SERBIAN ORNAMENT SHINED IN MILAN, interview by Miljana Kralj, Novosti, 2022;
• BILJANA JOTIĆ, interviews with Marija Petrović, Telegraf Biznis;
• ABOUT THE TRADITIONAL MANIFESTATION OF THE MUSEUM OF APPLIED ARTS, interview by Andrea Pauzenberger, Grenef magazine, 2023.

TV and Radio appearances and contributions: RTS:

• Culture Diary, Malta Art Biennale, time from 11min i 30 sec:
• Cultural diary, Figure through thought, time of 5 min and 50 sec
• Morning program – about the Day of the Museum of Applied Art
• Morning program – About the Salon of Architecture – Salon of Dialogue
• Cultural center show, time of 33 min and 50 sec
• This is Serbia, from 24 min and 39 sec:
• Dialy 2, Show This is how things are…
• RTS 2: The show All colors of life

N1:

• Three points show
• Live Day

RADIO BELGRADE 2:

• Club 2

NOVA S: The exhibitions of placates of Winter olimpic games in Sarajevo 1984. STUDIO B:

• Morning program – TRANSFORMATION
• Morning program ARCHITECTURE SALON
• Belgrade Good evening
• Belgrade Good morning:

PRVA TV:

• News
• Exploziv,
• News u 19,

PINK:

• Morning program with Srđan and Jovan
• included in the morning program with Philp,

TV HAPPY:

• Morning program, Telemaster

RTV:

• Novi Sad postcard
• informative program

Articles in print editions: Domestic and regional: Nedeljnik / Telegraf/ Telegarf biznis/ SeeCult / Construction / NOVA S / Politics / News / Weather / Story magazine / Perstiž/ Blic / Elle / Euronews / Herceg tv / News rs. Republika Srpska / See Srpska… International: Diplomacy and Commerce /Artribune (ENG, IT) / ArchDaily / Novi Magazin / Architecturalexhibition / Parametric Architecture / Nieuweninstituut.nl / See Srpska…